Originally posted by Nadir at LastChocolateCity.com
Talk about poor timing.
Russell Simmons released his book, Do You: Laws To Access The Power In You To Achieve Happiness And Success, right as the argument about hip hop’Â€Â™s often misogynist lyrics reached a fever pitch.
The result? He is answering (or dodging) more questions about hip hop lyrics during his book tour than he is being asked about his book.
So when the hip hop mogul sat down recently with NPR’s Farai Chideya, he got so flustered she thought he was going to walk out.
When he’s asked if he feels that the kind of music his company produces can have harmful effects, the conversation can turn volatile, as it did during our sit-down. At one point, Simmons characterized our discussion in less-than-family-friendly terms.
You’Â€Â™ll have to listen to the interview to get Simmons in full feather, but let me take you into the studio at that moment: Russell is sitting a few feet from me, wearing spotless white athletic shoes, a shirt with a yoga theme, and a crisp baseball cap tilted to the side. While he is going off, he is leaning off – away from the mic, that is. He’Â€Â™s talking to his assistant in studio, complaining about the interview, and I’m thinking, “Â€ÂœIs he about to run the heck out of here?”Â€Â
Luckily, he didn’Â€Â™t. In the end, after a long back-and-forth, Simmons explained that his role is to promote all of hip-hop, good and bad, not to be a judge or a gate-keeper.
“Did they tell you why I came here?”Â€Â Simmons asks once things cool down. “Â€ÂœMy job is as a servant of hip-hop. That’s my job, and people who criticize are not able to serve properly. I’m on the inside, so when I walk into a new business, I open doors.”
Listen to Farai Chideya’s Interview with Simmons on NPR’s News & Notes
Warning! Simmons talks about “Â€Âœlove and consciousness”Â€Â when discussing his new book, but when he talks about hip hop, he uses the same “N”, “Â€ÂœB” and “H”Â€Â words that he wants off the radio.
By the way, did anyone tell Russell this was a radio interview?
Yesterday I engaged in a very serious and desperate discussion with my daughter’s two best friends and their parents (girls all 7th graders, parents black). We are upset about school school academic and behavior performance by our girls, and one primary factor that constantly came to the fore as undermining our efforts, and contributing to this negative conduct: this very music, with its emphasis on celebrating and encouraging sexual, violent, and materialistic behavior, along with other aspects of superficial, temporal fixations.
The term “BET” arose frequently, and never needed any explanation: all us parents detest it and consider it the enemy in the struggle for our children’s present and future. I remember BET of my youth, running the corny but beloved videos of Frankie Bev & Maze’s “Back In Stride Again”, MJ’s Thriller, Midnight Starr’s “No Parking on the Dance Floor”, etc. Now it just disgusts me.